RAUSCHARTjournal
A new century and a new millennium have just begun. For art too, of course. Seminal new ideas and artistic productions already experienced; endless other ones will be on stage over time. Here is the focus of RAUSCHARTjournal that we have been offering the reader since the beginning of FYINpaper’s new edition or new path, that is April, 9, 2024. RAUSCHARTjournal/ Into the New Millennium”; experiences and theories, new pulsating adventures of art, between theory and practice, multiculturalism, interculturalism, global and local, centrality and marginality, and substantial reversals of geopolitics and geoculture (regarding the latter, FYINpaper has been mindful and heedful since its inception in August 2019). Rausch (Intoxication, Drunkenness) is the term Nietzsche used in 1889, in his Götzen-Dämmerung (The twilight of the gods), referring to the dialogue in harmony between Apollo and Dionysus. A thought that overwelmed the opposition between the two gods the philosopher had emphasized, 17 years earlier, in his Die Geburt der Tragödie aus dem Geiste der Musik (The birth of tragedy from the spirit of music). RAUSCHARTjournal leverages Nietzsche’s such update thought to connect with society as well as with the artistic phenomena: Art as Apollonian-Dionysian exaltation and also as a wet catalyst of critical sense as far as its connection to society is concerned.
